The unseen world of Mutina tiles

The brand’s identity is told through different collections, all with in common the union of handmade and technology. Among the collections produced by Mutina Azulej combines different languages enhancing the memory of hydraulic cement with Patricia Urquiola’s design.

 

 

Mutina is a novel way of looking at ceramics no longer as a simple wall covering, but as an interior design project.

 

We have mentioned Patricia Urquiola, but actually in the world of Mutina and its tiles orbit the likes of Edward Barber and Jay Osgerby, Rodolfo Dordoni, Ronan and Erwan Bouroullec, Tokujin Yoshioka, Yael Mer and Shay Alkalay of Raw Edges, Inga Sempè, Konstantin Grcic, basically the full design firmament.

 

The Mutina team shares values and a common challenge, that of using defined non-colors from white to a wide range of neutrals to coordinate or contrast, never ceasing constant stylistic and technological research work.

 

Mutina tiles are used for public and private environments, to dress up architecture and decorate interiors, even for institutional spaces dedicated to art such as the Tate Modern.

 

Numerous awards have been won by Mutina for its tiles, ceramic floor and wall coverings,  and this is not surprising given some of the projects carried out with the collections of this traditional and at the same time revolutionary brand.

 

From the Skiathos Blu Hotel to the Gaku Sushi Bar, the result is sure to impress, especially with Mutina ceramics from the Aluzej collection, an ode to patterns to be combined in endless stylistic solutions.

 

 

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